Colour Splat Slide Black, 2017
Signed and numbered from an edition of 25
33 1/2 × 22 1/5 inches (85 × 56.5 cm.)
All works are inspected prior to delivery, work will be sent out tracked and insured at buyers cost. If you'd like to make specific arrangements or discuss collection then please contact us directly.
Accepted: Wire transfer
ART PLEASE Assurance Policy: Every ART PLEASE seller has been approved by ART PLEASE after a thorough review. All of our sellers are required to accept the following ART PLEASE policy: A buyer may return an item purchased through ART PLEASE, if the item received is not as described in its listing, or is found to be unauthentic.
Ian Davenport’s Colour Splat Slide Black (2017) reflects the artist’s celebrated fascination with the physical properties of paint and the transformative power of color. Executed as a silkscreen print on 250gsm Velin Arches black paper, the work measures 33 ½ × 22 1/5 inches (85 × 56.5 cm.) and comes from a signed and numbered edition of only 25. In this print, Davenport adapts his signature process-driven approach to the graphic medium, creating a vibrant cascade of color that appears to slide, splatter, and pool across the dark surface. The bold contrast between the luminous hues and the deep black paper amplifies the sense of motion, giving the composition an almost kinetic energy.
As with his poured paintings and large-scale installations, Colour Splat Slide Black underscores Davenport’s ability to balance precision with spontaneity. The silkscreen technique captures the fluidity and unpredictability of liquid paint, yet its execution on paper highlights the careful control and deliberation behind his work. The “slide” effect evokes both gravity and chance, while the “splat” introduces a playful disruption to the otherwise rhythmic flow of color. This interplay between order and accident is central to Davenport’s practice, and here it is distilled into a striking print that feels both experimental and highly refined. The rarity of the edition further enhances the desirability of the work, marking it as a vivid example of Davenport’s ongoing exploration of color and process.