Pop Shop III (Plate I), 1989
Signed and numbered from an edition of 200
16 1/2 x 13 1/2 inches (34 x 42 cm.)
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Keith Haring emerged in the 1980s as one of the most influential voices of his generation, transforming the visual language of street culture into a globally recognized artistic vocabulary. Rooted in graffiti, cartoon imagery, and bold symbolic forms, Haring’s work was driven by a belief that art should be accessible to everyone, not confined to elite institutions. His instantly recognizable figures—radiant babies, barking dogs, dancing bodies—served as both playful icons and powerful vehicles for social commentary, addressing themes of activism, sexuality, unity, and the AIDS crisis with clarity and urgency.
Pop Shop III, Plate I (1989) exemplifies Haring’s philosophy of democratized art. Created as a screenprint in vibrant colors, the work reflects the ethos of his Pop Shop concept, where high-quality editions allowed collectors to engage with his art without sacrificing its integrity or message. Signed and numbered from an edition of 200, the composition showcases Haring’s rhythmic line work and dynamic energy, balancing graphic simplicity with conceptual depth. Measuring 16 1/2 × 13 1/2 inches (34 × 42 cm), the print stands as a late-career testament to Haring’s commitment to making art both visually striking and socially resonant—an enduring symbol of Pop Art’s crossover between the street and the studio.
