Mick Jagger 146, 1975
Signed by both Andy Warhol and Mick Jagger
From an edition of 250
43 × 29 inches (109.2 × 73.7 cm.)
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Andy Warhol was one of the most influential artists of the twentieth century and the defining figure of American Pop Art. Beginning in the 1960s, he transformed imagery drawn from advertising, consumer culture, mass media, and celebrity into a radical new visual language, challenging conventional distinctions between fine art and popular culture. Portraiture became especially important to Warhol’s practice, with subjects ranging from Marilyn Monroe and Elizabeth Taylor to musicians, socialites, and political figures. Through photography and screenprinting, Warhol reduced and reconstructed his sitters using bold outlines, flattened areas of color, and deliberately heightened contrasts, creating images that explore both the allure of celebrity and the manufactured nature of public identity.
Mick Jagger 146, 1975, comes from Warhol’s celebrated portfolio of ten portraits of Rolling Stones frontman Mick Jagger, created at the height of both men’s international fame. Based on photographs taken by Warhol, the series combines Jagger’s instantly recognizable features with expressive blocks of color and loosely drawn graphic lines, producing a fragmented portrait that shifts between photography, drawing, and abstraction. The collaboration was particularly fitting: Warhol and Jagger were friends, and Warhol had previously designed the iconic cover for the Rolling Stones’ Sticky Fingers album. Published by Seabird Editions, London, Mick Jagger 146 was executed as a screenprint on Arches Aquarelle paper and belongs to an edition of 250, with additional artist’s proofs. Measuring approximately 43 × 29 inches (109.2 × 73.7 cm), the work is particularly notable for bearing the signatures of both Andy Warhol and Mick Jagger, reinforcing the collaborative relationship between artist and subject. It is recorded as Feldman & Schellmann II.146 in Warhol’s catalogue raisonné.
